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VELAZQUEZ and neglect

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school in Santo Domingo de Orihuela, where he studied Miguel Hernández, Gabriel Miró flagship and some men like the Count of Floridablanca, was a huge painting by Diego Velazquez had painted on commission for the place (There are pictures of Santo Domingo in Blanca Andreu Blog )

The school was then an important Pontificia Universidad governed by the Dominicans, and was Felipe IV who granted the title of Royal College. The painting, by 1906, was lifted, recognized, and taken to the Cathedral Museum.

This was investigated in detail Sanchez Portas and there, in a blog, it has divinely, so I will not extend

ago few years, a lighted Valencia had the happy idea of \u200b\u200borganizing a matter called The Light of Images, a kind of consortium dedicated to the restoration of monuments in style. La Luz Orihuela Etc arrived and worked wonders with everything that was falling apart, that was a lot. Restored, revamped and polished beauty. Then took the Velazquez "to reframe."

The painting, religious grounds, has an idealized scene of the life of Saint Thomas Aquinas: the scene of the saint's victory over temptation.

Al Apparently, according to the hagiographies tell the brothers of Aquinas, who were opposed to professed, a woman entered the room, an educated prostitute to provoke. The saint, to overcome the temptation snatched, grabbed a burning firebrand firebrands the fireplace is in the foreground and marveled at Benet, and a cross painted on the wall, cross breeding can be seen from the box Frameless right.

Well, the new framing has eaten the cross and left it just one arm, a black stripe, horizontal, with no sense. And the story of the box is gone.

With the new framework have been also a piece of stool the Master Painter. There is almost nothing: just a small piece of a table which is in addition to the loss of the cross painted on the wall.

Having seen the picture, I know as always, with the natural framework, I wrote protesting to The Light of Images. I responded with the following trols:

"We've returned to the table its original context "(?)

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the keeper of HERDS

(A poem by Fernando Pessoa (Alberto Caeiro)



From the top window of my house,
with a white handkerchief say goodbye
my verses, traveling to humanity.
And I'm not happy nor sad.
That is the fate of the verses.


I wrote them and teach them all
because I can not do otherwise,
as the flower can not hide the color,
and the river running to hide,
or hide the tree that bears fruit.

Behold
and go away, as if they were in the coach,
and I feel sorry inadvertently
like a pain in the body.


Who knows who will read them?
Who knows whose hands go?


Flower, fate took my eye.
tree, I pulled the fruit to their mouths.
River, the fate of my water was not staying me.
I resigned and I'm almost happy,
almost as happy as he gets tired of being sad.


Gone, gone from me! Spend
tree and is scattered by nature.
Wilt and powdered flower lasts forever.
the river runs into the sea and the water is always
that was theirs.


Paso and I'm like the universe.